Why Go to Church?

Journal 2005

God gifts and equips us to serve others, and ideally, this would be in a church setting. But a church we once attended erected a large roadblock in the path of our prayer ministry. Though they wouldn’t support us because of their fears, triggers, and misunderstanding of inner healing prayer, we continued to show up week after week. We loved the church and prayed for the leadership, but they forbade us to use our gifts in their building.

But I ask myself: What’s the point of going to church if I cannot minister to others? To be fed from the pulpit? Internet resources are boundless, and besides, I’m mature enough to feed myself.

To hear a little music performed? There are CDs for that [or live streaming today].

To worship God in a building? Nature would serve me better.

My felt need is fellowship. That, really, is the essence of why I attend church—to be with like-minded people, to worship together in harmony, to minister to others, to love them, encourage and support them. It’s not enough to warm a pew Sunday after Sunday without interacting with people.

Meanwhile, God led us to others outside the church who were hurting. One call even came from someone in Arkansas, who wanted to connect us to a friend in Germany. God’s work would not stop.

A 2021 Update: Two things. We eventually moved to a church where the leadership supports our ministry and encourages us to use our gifts with the body. Refreshing! We have a spiritual covering at last. But second—Covid. I watched in dismay as churches divided themselves along emotional lines of masking/not masking, closing/staying open during the pandemic. The results included people changing churches, people leaving church permanently, and others becoming more tight-knit as they bonded together in unity to minister to each other. I think this year has helped us reexamine why we go to church.

Why do you attend (or not)?

Heavenly Worship

(1950s) Dad building our church out of mud brick and a tin roof. What remains in 2014 after storm damage.

From my 2013 Journal.

My first memories of church included sitting for hours on a backless mud bench, singing mostly American hymns translated into Hausa, accompanied by my missionary mother playing the accordion. Dad’s preaching would lull me to sleep if Mom didn’t occupy me with crackers. Women sat on one side of the church, men on the other, and nearly-naked children squished shoulder to shoulder on the floor or front pews. In later years, local pastors and women playing indigenous musical instruments led the joyful service.

This week, when one of my African-American neighbors died, his dear wife invited three of us white folks over to meet some of her friends who had arrived to provide comfort. They all circled up, holding hands, singing and praying—loud, long, repetitive, simultaneously. We three stood quietly apart, singing softly, joining in with our hearts. Later, at the funeral, the preacher’s sermon included thunderous shouting, huffing with each sentence, accompanied by organ crescendos and a robed choir.

I thought back to an Easter service at the Eastern Orthodox Church where I visited with a Jordanian friend. Worship included quiet a capella music and chanting, solemn contemplative rituals, and a brief homily. Beautiful icons, candles and incense completed the sensory experience.

At my contemporary interdenominational church, the congregational singing predictably goes from loud hand-clapping, hand-raising, drum-beating musical numbers with guitars and electronic keyboard accompaniment led by a group of performers followed by one quiet song before the conversational-style, 30-minute sermon.

Worship cultures . . . each with their own traditions, expectations, idiosyncrasies. There’s no right or wrong way—unless the heart and mind aren’t engaged.

And my preference? I’m somewhere in the middle—neither monkishly contemplative nor exuberantly outward in expression. Quiet suits me best as an introvert. And call me a heretic, but give me an intimate dialogue or deep conversation any day over a sermon lecture. Yet I still choose to attend churches that might not suit my personal preferences. I need the variety of the body.

What will heaven’s worship be like? In the book of Revelation, John records moments of loud and times of silence. Somehow all nations, tribes, and tongues will be unified in their worship and will enjoy Him together. I can’t wait!

Food for Today

From my 2013 Journal.

All art forms have potential to touch the soul. Some (like paintings, photography, and sculptures) are tangible and static, and you can linger over them. Performances (like music and theatre) are fluid—you can’t capture and freeze them except in your mind. Different art forms appeal to different senses (sculpture—eye/touch, music—ear, performance—eye/ear). The written word can be tactile (holding the book, typing a manuscript) or cerebral, creating images with words.

As a visual learner, auditory input is so transient for me. When the music stops, it doesn’t stay in my head like it does for my daughter Sharon. And, unlike daughters Cindy and Katie, visual art doesn’t linger either, once I look away. Stories, for me, last the longest, though I quickly forget the details.

Could it be that feeding the spirit is also transitory? I learn a lesson or a truth but quickly forget to apply it to the next lesson or circumstance. I have a hard time holding on to it. If I can’t remember the Scriptures I read yesterday, does this mean I may as well quit reading? Of course not. Just because I can’t remember what I ate for breakfast yesterday doesn’t mean I wasn’t nourished.

What’s the solution? Daily doses of food for the mind, soul, body, and spirit.

On the Subject of Music

From my 2015 Journal. I was raised on the great hymns of the faith at church, Gospel choruses at boarding school, Pioneer Girls camp songs (thanks, Miss Pat), and my mother’s favorite Gilbert and Sullivan record albums. (I memorized all the lyrics to “I Am the Very Model of a Modern Major-General” by the time I was 10.)

We had no electricity in our little African village, so record players had to be hand-cranked or run on low-quality batteries. I wasn’t exposed much to secular music or American culture until I was in high school.

Is it any wonder, then, that I struggle with contemporary worship music here in the USA? As hymns have been tossed out of our churches like old, worn-out socks, I find myself also tuning away from Christian radio stations and gravitating mostly to classical music when I’m alone in the car. Unlike the repetitious lyrics (I kid you not, I counted 38 repeats of one phrase this Sunday*), my preferred music soothes my soul and draws me upward.

I try not to judge you for your taste in music. Life would be boring if we were all alike. My eldest daughter sings along to every tune played over the intercom at Wal-Mart (there was music playing?). I respect your desire to listen to what matches your mood and gets your foot tapping and draws you into worship. But I prefer music that makes my soul relax. Am I weird? Is this temperament, personality, or a cultural or generational footprint that stamped itself on my soul?

As the music wars play on, I ponder what kind of music we’ll hear in heaven.** What will God’s voice sound like when “He quiets me with His love and rejoices over me with singing” (Zephaniah 3:17 NKJV)?

I do know that our churches would do well to vary their worship styles to draw more people in—from different generations, yes, but also for different temperament types. Not all of us are sanguines. We melancholies need something different for our souls. Just sayin’. (Though I’ll make an exception today and let you sing “Happy Birthday” to me.)

*A 2020 update. Recently our worship leader addressed the repetition issue. He explained that some people need positive reinforcement to solidify a truth in their heart—the same principle but opposite effect of writing lines for punishment at school (I speak from experience). For those of us who already know this particular truth, we can use the extra time praying for those who still need to hear it. I can now give more grace to my fellow worshippers instead of harboring a critical spirit.

**I just finished reading Imagine Heaven by John Burke, amazing accounts of near-death experiences. These people were incapable of describing the sound of angels singing or the thousands of human voices in many languages blended in harmony. There will be no music wars in heaven!

Sing with Me

Singing

From my 2008 Journal. You know what I miss? The focus of music in some churches has shifted from the sound of the congregation’s voices blending in harmony under the leadership of a song leader or musician—to a group of performers on stage. Now I know they’re not called “performers” and I know that’s not their intention, but . . . I personally find it a little distracting to watch what’s happening on stage. Critiquing performance is my natural tendency instead of focusing inward and upward. I know that my focus needs to be on God, and I know that I can become distracted by any number of things—so sometimes I just have to shut my eyes during worship.

I also acknowledge that the temptation with singing old familiar hymns led by a choir director is to sing with the lips and not from the heart. I get that. I know it’s not what’s happening on the stage that counts, but what’s in my heart. But certain environments are just more conducive to worship for me than others. We recently visited a liturgical church where the organist, hidden out of sight, led the congregational singing. I could hear my own voice blending in harmony with the voices around me. I found the experience quite refreshing.

Okay, I’ve said my piece. Now let’s sing!